Hi I’m Andy.

I’m a percussionist, conductor, professor, and collaborator living in Knoxville, TN.

Below, I share my creative journey as an artist, with a focus on intentionality, technology, and community.

The Pieces That Fall to Earth - Christopher Cerrone + Wild Up

I’m really happy for my friend Christopher Cerrone for his new release with LA-based Wild Up, out now on New Amsterdam Records. I’ve been listening to the album now that I’m back home from IL this week and am really enjoying the extended work, which comprises three vocal cycles. In fact, today NPR Classical named it one of their top albums for July.

I’ve loved Chris’ music for quite some time. We recently played his percussion quartet + voice Goldbeater’s Skin at the Nief-Norf Summer Festival in June, and I have a performance of his new ambient percussion solo A Natural History of Vacant Lots lined up for my 2019-20 season. If you’re looking for a soundtrack for your work this week, I highly recommend checking this out and supporting these folks.

Andy Bliss
Freedom in the Groove

I just returned from Macstock 2019 in McHenry, IL and had an amazing time. It was such a treat to branch out of my usual activities and share two days learning about something I’m passionate about, while also making some new friends.

I wondered how much I would have to add to the conversation as someone who is not a computer programmer or an engineer, for example. However, in meeting all of these tech-enthusiasts, I was amazed at how many of them mentioned music being their muse. My new friend Mike Melcer from NY showed me two awesome new-to-me apps (review on the way) that he uses for casual music making at home. He even stumped me when he asked for suggestions for apps that help develop relative pitch. Mike Schmitz and I had a great chat about his upbringing on violin and I got the chance to bump into Kourosh Dini, who lives in Chicago and regularly plays piano and guitar. All of us work in different fields day-to-day, so it was enlightening to see how easy it was to find commonalities.

The first night I was there, I had an extended chat with David Sparks (aka MacSparky) and Mike Melcer about a range of topics including Apple, Star Wars & Galaxy’s Edge, and his background as a jazz saxophonist. David has spoken often about how he uses the saxophone as a 30-minute break in his day-to-day, and how the short breaks actually help him to refocus and recharge his energy in the afternoon. Among our conversations, he mentioned a favorite track of his by Joshua Redman called “Hide & Seek,” from his 1996 album Freedom in the Groove. I could sense his pride when he mentioned his daughter being able to scat through most of the tune from his repeated plays of the track, an experience I’ve shared as I’ve heard various records work their way into my kids’ playlists and backseat singing. Always a heart-warming experience as a Dad.

When the weekend wrapped up, I grabbed a car to the airport and was actually feeling a little overwhelmed. The weekend helped to focus lots of really exciting ideas and possibilities to use technology as a means to creating more meaningful work, and that is always an exciting prospect. Once I worked through airport security at O’Hare, I popped in my AirPods and grabbed a meal at the Chicago Cubs Bar & Grill (where else?). I started reviewing my notes and was reminded that I needed to check out “Hide & Seek.” My history with Joshua Redman actually goes back to ~2002, when I joined some friends on an impromptu trip into Chicago from Northern Illinois University. We headed to the Jazz Showcase and saw the Dave Holland Quintet, grabbed dinner at the ESPN Zone, and then found out Redman was in town, so we headed up to Martyrs to hear him with Sam Yahel and Brian Blade, touring their recent Elastic album release. I picked up the album and played it nearly every morning for a solid year as I was getting ready…my roommate was a jazz bass major and may never listen to Joshua Redman again because of me.


O’Hare that day was slammed and, in general, was feeling rather claustrophobic. However, thanks to my AirPods, I was having a completely musical experience – all but dancing down the terminal hallway toward my gate. David was right. “Hide and Seek” is an incredible opening track and the album ended up sticking with me for the rest of the night. It was so inspiring to reconnect with a musical favorite that had made his way off of my recent playlists. My gate ended up being at the end of the terminal in one of those basement, dead-end, cul-de-sacs, where everyone is crowded and miserable. Meanwhile, I was having a completely isolated experience trying not to draw attention to myself as I was digging each track of the album. I got on the plane and was seated next to someone whose body type was taking up half of my seat. Didn’t matter though, I was locked into the record.

I knew Sunday night was going to be a long night, with a late flight and even later commute home, but listening to this album made it feel like time travel. I finally hit Knoxville, just shy of 1AM and reveled while listening to Invocation, another favorite track of mine from the album. Now on my Apple Carplay and on my 3rd or 4th time through the disc, I was driving home and excited to start the week home with my family. My overwhelm was gone and the travel time seemed to disappear. The music inspired me and I was able to capture some clarity and meaningful notes on a few projects during the journey in Apple Notes. While AirPods, an iPhone, and Apple Notes are not exactly “advanced” technology, this experience never would have been possible years ago. We had talked all weekend at MacStock about using technology to get to the creative work, and I was thankful to be arriving home inspired, clear-minded, and ready to get back to the daily mission of creating meaningful art.

Lego Aston Martin

Enjoying the end of July, as August 1st is typically when I switch back into "work mode" and use the month to prepare for the season ahead.

Unfortunately I just stumbled upon this new LEGO release and may be slightly distracted for the first few days of August. If you come to visit me in my studio at UT this year, don't be surprised if you see this on my desk. The set comes complete with passenger ejector seat!

Andy Bliss
Rainy Day Baseball

Spent a good amount of weeknights away from work this Spring at my son's first season of baseball, playing for the Rocky Hill Rockies. Just stumbled upon this pile of his well-used gear in my office today, the remnants of the sky opening up last night in the 2nd inning of his final game. It's been a real joy teaching him to play and hanging with his team this year.

Andy Bliss
Brimstone & Glory

This Friday I'm thrilled to be conducting Nief-Norf at the Big Ears Festival here in Knoxville, TN on a live film score to the documentary Brimstone & Glory, in collaboration with NYC's Wordless Music. Directed by Viktor Jakovleski, Brimstone & Glory traces the National Pyrotechnic Festival in Tultepec, Mexico, a celebration used to pay tribute to San Juan de Dios. Here is the official trailer to the film.

I was fortunate to be contacted about taking on this project by Wordless Music more than a year ago, and am thoroughly enjoying watching it take shape this week. The film is stunning to watch and the music, scored by Dan Romer and Benh Zeitlin, features a percussion quartet concerto with chamber orchestra. Wild grooves and beautiful melodies emerge throughout the score and I've become more and more engulfed with the entire work after each morning of studying. Friday's screening will be the first live performance of the score, using a newly orchestrated version of the score done by Sam Torres.

One of the most poignant moments of the documentary, for me, traces a young boy named Santi and his courageous debate on whether to join the Dia de Los Toros (Day of the Bulls) with his older family members. As a Dad with a son at a similar age, I found myself feeling protective of Santi, and the narrative took me on quite an emotional journey.

I so look forward to joining all 22 musicians on stage Friday for our live score performance of this film in Knoxville's historic Tennessee Theater at 1:30pm. There isn't a better venue out there for such a concert or a better audience/festival to share this project with.

Broken Instrument Commission

Interesting article in the New York Times today sharing an innovative commissioning project involving David Lang and the broken instruments in the Philadelphia school system. Love the idea of a commission, creativity, and mobilizing a local population to aid a broken situation in the arts.

Andy Bliss
Peer Learning

A favorite podcast of mine is The Tim Ferriss Show, and I particularly enjoyed Episode #168, his interview with Malcolm Gladwell. In the course of the interview, Ferriss asks Gladwell "What is an example of some of the worst advice that you hear being dispensed, or given?"

The beginning of his answer included "I think the American college system needs to be blown up and we need to start over." Okay - you  have my attention.

Gladwell shares:

"The sole test of what a good college is, is, is it a place where I find myself late at night, having deeply interesting conversations with people that I like and find interesting...Am I so inspired by what I learned during the day that I want to be talking about it at one in the morning, and do I have someone who will have that conversation with me and will challenge me? That's it, everything else is nonsense."

Gladwell goes on to discuss the importance of students not being interesting, but interested, and the value of asking good questions. I've thought about Gladwell's response multiple times over the last year and often struggle with how to respond when I am frequently asked about how a half-dozen schools stack up, and where a student should consider attending. I came across this wonderful quotation this week that helped to further articulate this point that Gladwell raised:

Base4 following our PASIC 2003 Showcase Concert

Base4 following our PASIC 2003 Showcase Concert

It often happens that two schoolboys can solve difficulties in their work for one another better than the master can. When you took the problem to a master, as we all remember, he was very likely to explain what you understood already, to add a great deal of information which you didn’t want, and say nothing at all about the thing that was puzzling you. I have watched this from both sides of the net; for when, as a teacher myself, I have tried to answer questions brought me by pupils, I have sometimes, after a minute, seen that expression settle down on their faces that assured me that they were suffering exactly the same frustration which I had suffered from my teachers. The fellow-pupil can help more than the master because he knows less. The difficulty we want him to explain is one he has recently met. The expert met it so long ago he has forgotten. He sees the whole subject, by now, in a different light that he cannot conceive what is really troubling the pupil; he sees a dozen other difficulties which ought to be troubling him but aren’t.
– C. S. Lewis, “Introductory” to Reflections on the Psalms

One reason I offer group classes at the freshman and sophomore level at UT, in addition to one-on-one applied study, is this transfer of knowledge that can happen among peers. I often think back to my time at Northern Illinois University and can't begin to articulate how much I learned from Pat Schleker, John Pobojewski, and Steve Lundin while playing together in the Base4 Percussion Quartet – rehearsing together on our own [crazy] ambition for ~6-8 hours a week over 3 years, outside of class, working through dozens of musical puzzles together that shaped the way I work now.

Andy Bliss
University of Tennessee Percussion Night: Duos

Tomorrow night my students at the University of Tennessee will be presenting their work in the Fall 2017 Percussion Studio Night (Facebook event info) at 8 PM in the Sandra G. Powell Recital Hall. Join us!

The Studio Recital, as an event, has proven to be a very worthwhile curricular tool and is one of the requirements I used to ultimately replace juries in our program. I love that the Studio Recital puts them on stage, in concert dress, under the lights, in a "real" performance environment which also includes a live audience (few of these parameters are provided in most jury performance environments). Additionally, afterward, they walk away with a program for use in their records as well as a quality live recording (audio + video) which they can also add to their portfolio.

Pedagogically, it has also offered valuable performance experience for younger players. While I believe it to be common for students to perform for each other in studio class and similar formats, students often don't receive much solo performance time with the realities of a recital as outlined above (under the lights, live general audience, etc). Having them step on stage with only one piece to conquer for that evening seems like a very achievable task, setting them up for success their junior year when they have to walk out and hold the stage for an hour. By that time they will have had at least 4 of these studio recital performances under their belt, if not more.

I remember the opening notes of my junior recital and how much my mind was racing. Looking into the crowd and seeing friends from so many different parts of my life in one room was equally heartwarming and confusing. I remember thinking things like "Why is my uncle sitting next to my friend from high school? Do they know each other?" Meanwhile, I'm stepping up to the marimba to play some very soft Keiko Abe notes to open the show, which... let's just say didn't feel particularly controlled that night. I'm hoping the Studio Recital gives the students a bit more of a footing when they step on stage for their own recitals as they get to the end of their degree programs, having had a few swings at the plate prior to that night.

This semester, the Percussion Night event has a theme of "Duos." For me, this is a performance combination that often gets missed as our percussion ensemble will usually focus on works for 3 or more players. There is some fantastic repertoire out there to be explored for duos and I'm excited to hear the wide variety of performances tomorrow evening. The inspiration also came from the Wagner-esque event we had last semester as all of the solos had us there for way too long...

For those in the Knoxville-area, please consider stopping by to hear some of this great repertoire tomorrow including Seeds by Leonardo Gorosito/Rafael Alberto, Wooden Music by Rich O'Meara, Catching Shadows by Ivan Trevino, Table Talk by Alyssa Weinberg, Dance Groove Drifting (from Book of Grooves) by Alejandro Viñao, Passacaglia by Anna Ignatowicz, and Karakurenai by Andy Akiho. In addition, the UT graduate students will be performing Zyklus by Karlheinz Stockhausen, ...And Points North by Stuart Saunders Smith, and a world premiere commission for cello + percussion by Tyler Eschendal.

Finally, a big thank you to Abby Fisher who has been doing an incredible job running the program this semester while I'm away on paternity leave!


Sticky Notes

Sticky notes are great for helping us remember things, like where not to play on keyboard bars! This is one of my favorite low-tech tricks when working with students. Each time the mallet strikes the paper, it makes a crackle or a ticking sound that will immediately draw their attention to their playing area and the resonance of the bars, not to mention the visual disruption.

Harry Potter with KSO

Great double rehearsal yesterday with the Knoxville Symphony Orchestra (event info), preparing for this weekend's Harry Potter and The Sorcerer's Stone concerts. I don't think I've ever played so much Bell Tree and Mark Tree in one gig, but these are the sounds of a wizard!

Andy Bliss
Ruler App

A recent late night date with Quickbooks had me going back and forth between a few PDF documents to reconcile an account. While the creative part of being a musician is great, having clean books is a necessity and I found myself having to tighten up a few groups of data. Thankfully I have a TV in my office and could monitor the MLB playoff race at the same time...

Some workflows on the computer are just not as easy as paper and pencil and using a ruler to keep your place while reconciling an account vs a statement is a trick as old as time. I remember my Dad doing it at his desk growing up, however it seems a little unnecessary to print everything in 2017 just to get this job done accurately and quickly. Enter this nifty Ruler App.

This handy ruler was a huge help with banking and could easily be used to keep your place on any kind of document where your eyes have to go back and forth often, even if in the same document. I can imagine it having uses in score study perhaps or while reviewing any information across a few locations. The colors are changeable, it can be multiplied to have more than one, and can be used vertically or horizontally. A nice little find for $2.

Screen Shot 2017-10-05 at 2.05.11 AM.png
TechnologyAndy Blissapp
🎧: New Morse Code's "Simplicity Itself"

I've been a fan of Robert Honstein's music for a while now and have enjoyed working on his pieces Patter and Unwind at various times over the last two years with the University of Tennesse Percussion Ensemble. We performed Unwind in Tampa, FL at the McCormick Marimba Festival using a marimba, vibraphone, and cello pans and it turned out beautifully while also creating a great platform to work on polyrhythms with my undergraduate students. These rhythms combined with the piece's instrumentation flexibility provided our group with many "teachable moments" that semester.

Even better, my pals in New Morse Code, just released their debut album Simplicity Itself on New Focus Records, featuring Robert's two pieces mentioned above, plus music from Tonia Ko, Caroline Shaw, and Paul Kerekes. It's been playing at my desk for over a week now and I'm really enjoying it – especially the way it so perfectly fades away at the end of the album.. Be sure not to overlook the detailed cover art by Tonia Ko herself as well! The album is available for purchase now.

ListeningAndy Bliss
New Water Music

Yotam Haber's recent work New Water Music is a 50-minute outdoor work for orchestra (also available for indoor performances) inspired by Handel's Water Music, which I learned was premiered 300 years ago in 1717. I also learned that the piece was premiered on barges in the River Thames. The title of the piece now has me wondering if I'm the only one who didn't know this...

The project immediately made me think of the Persephassa performance that Doug Perkins directed a few years back in New York City, which still captures my imagination despite my not being in attendance. The fact that Handel's crew was doing this 300 years ago is awe-inspiring.

New Water Music is a beautiful merging of orchestral performance and community relevance and forced me to consider larger questions surrounding the music we play, the places it's heard, and the audience who shares it. This certainly has been added to my bucket list of pieces to experience live.

Head over to Yotam's website to learn a bit more and to check out the rest of his wonderful work as well. I've enjoyed playing some of his music at past Nief-Norf Summer Festivals. Also, hat tip to my friend Rob Deemer for initially sharing a link to this project on Twitter.

Andy Bliss
Curriculum Diversity

After a busy summer, I was able to take some time this weekend to enjoy reading Anne Lanzilotti's insightful series on Building Curriculum Diversity, published by New Music Box this past July.

The most lucid moment in my reading was in Part Three of the series, where Lanzilotti shares a portion of an interview with violinist Jennifer Koh:

It is our responsibility as artists to advocate for artists and composers who happen to be women or people of color. I feel that we as artists and as an industry need to model and advocate for our entire community. And frankly, diversifying programming is the only way that classical music will survive. If our programming does not reflect the diversity of our society, then we are not serving our community and by extension, we are actively making ourselves irrelevant to society.

With classes starting at many institutions around the country these past few weeks, this is an especially good time to consider the diversity issues raised in these thoughtful essays. As many of us are preparing the storyline by which we will pass down the history of Western music to our current students, the resources offered would be immediately useful for anyone compiling musical examples. At a deeper level, the three essays also helped me to articulate things I already believed more clearly, gave me plenty of new artists to investigate, and left me with several sources that I would like to read and learn more from.

Johnson City Symphony Orchestra

A hearty congratulations to current University of Tennessee MM candidate, Colton Morris, who won the Johnson City Symphony Orchestra Associate Principal Percussion position this past week. They have an exciting season ahead including their March 24th Master Classics show with Mason Bates' Mothership and Pictures at an Exhibition. Way to go Colton!

Andy Bliss
Baseball & Apple Watch

It's likely not a surprise that the recent news that the Boston Red Sox may be facing charges for using the Apple Watch to steal signs immediately caught my eye. Stealing signs has long been a paranoia among baseball teams, and I have often wondered while taking in a game, how technologies like the Apple Watch, iPhone, and simply texting play into the rules. It wasn't long ago that cell phones didn't exist among most people, let alone smart phones, so I'm a little surprised that this is the first time I've seen a headline about suspicions of smart devices being used in the dugout for an advantage.

Andy Bliss
Harry Potter with the Knoxville Symphony Orchestra

In just over a month, I'll be joining the Knoxville Symphony Orchestra, performing every note from Harry Potter and the Sorceror's Stone along with an HD projection of the movie. I loved this book and my wife has read the entire series multiple times. In fact, it is not uncommon for us to be found watching the full Blu-Ray movie sequence together on the weekend once or twice a year. When she completed her PhD we took a trip to Harry Potter World to celebrate, something we had been waiting to do for years.

If you will be in the Knoxville area in early October, this should be a very fun weekend - tickets are on sale now.

Andy Bliss
10 Reasons to Let Students Major in Music

I really enjoyed this Forbes article by Liz Ryan on the advantages high school students gain when majoring in music. Choosing a university and a degree program can be very tricky for parents and students, and often my meetings with high school visitors at the University of Tennessee surround some of the questions that are addressed.

In addition to Ryan's compelling list of reasons supporting a degree in music, I would also add two additional points (at least):

11. My music students become very good at managing their time and multiple responsibilities. With performances, exams, and other personal deadlines, the students learn how to keep all of the plates spinning and how to deliver in public arenas while doing so. 

12. Music students also learn to work with a wide variety of colleagues in close, collaborative environments, something we see in the professional world daily. Some of these colleagues are friends, and some...are not. Part of being a professional is learning how to work and communicate with a wide variety of individuals.

I found this article to summarize many of the important advocacy points for high school students who might be feeling pulled to a life in the arts after high school.

Andy Blisshigh school, advocacy
Auto-Filing Email with SaneBox

I’ve enjoyed getting on board with SaneBox this year to help me stay in charge of my inbox. Since I began teaching in higher education, my email intake has increased significantly, while the processing team remains the same size – me. On top of this I have 2 other email accounts that manage, so it is important that my time in Apple Mail is as efficient as possible.

SaneBox comes with several folders that can be enabled for sorting through the wide variety of messages hitting the inbox, which I use to screen messages in Apple Mail a few times a day. The Inbox messages remain untouched by Sanebox  and are the messages I want to see and spend my time on. Often these might be about a potential collaboration from a colleague, a message from a former student, or an email from a friend. 

The rest of the messages get pulled into the following folders. By doing so, they are then trained to arrive in these folders in the future:

SaneLater: These are important messages that can’t be dealt with at the moment. Not having to re-read these multiple times, often over several days, makes processing the other actionable items easier and distraction-free.

SaneCC: SaneBox automatically files messages here that I am cc:ed on. Again, these are typically important, but rarely would be the first items I would act upon if I only have a few minutes. Having them out of the way until I have some extra time is extremely helpful.

SaneBulk: Real emails that don’t need to interrupt focused work. Newsletters, marketing from retailers, notifications from social media, and many other types of non-urgent and frequently uninmportant messages. I’ve found more than 50% of the emails I receive daily fall here. I often can scan them quickly, Select All, Mark as Read, and then Archive / Delete. This replaces the constant “pruning” many of us have resorted to on our phones while spending time with others, when we could be having focused, meaningful interactions.

SaneBlackHole: Junk mail. Real or spam. Drag emails here and they will be put directly in the Trash in the future. By not unsubscribing, I save time and don’t risk exposing myself to more junk by clicking through on the initial message.

Email can be rewarding when spending time on correspondence that is  important, but all too often we spend our time sorting through unimportant messages, trying to get to a place where we can focus on the important stuff. SaneBox has acted as my digital sorting assistant since I signed up and I’ve been cruising through my inbox at much faster speeds since, not to mention enjoying many of the other features SaneBox offers.

More information can be found at If you decide to give it a shot, consider using this link to save $5 off a paid subscription.

Andy Bliss